- The arias of Normaseem to put a stop to time –with the solemnity of neoclassical tragedy–, especially if the performer is bursting with energy and good taste like Gregory Kunde. Isabel Urrutia Cabrera (El Correo)
- As for Kunde, he showed yet again that he is a secure tenor with an open, powerful, well-timbered and well-produced voice, with moments of great beauty. José Miguel Balzola (Opera Actual)
- Gregory Kunde looked comfortable as he sang a Pollione that has become one of his fortes in this most recent –and surprising– stage in his career. His performance showed that he is perfectly suited to the role, thanks to both his vocal characteristics and his stylistic affinity. José Amador Morales (Codalario)